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Archive for July, 2012|Monthly archive page

Belated thoughts on the Opening Ceremony: Not even 007 could save it

In Random thoughts on July 30, 2012 at 6:51 am

Let me begin by saying, I’m British. Although the U.S. has been my wonderful home for two decades, I consider myself a Brit first and foremost, proud of that island nation’s culture and heritage. I’m still a British citizen. Friday night, my wife and I sat down to watch the opening ceremony. I was excited to see the sort of regal pageantry and pomp and circumstance the British do so well. In the weeks leading up to the event, I had some reservations. I’m not a fan of Danny Boyle, the ceremony’s director. I don’t think his movies are that great and consider “Slumdog Millionaire,” in particular, to be one of the most overrated films in recent memory.

And so we sat on the sofa, a bottle of wine at the ready, and watched. All I can say after the event is that I have no idea what the LA Times, New York Times, New Yorker, Chicago Tribune, and other major publications were raving about. What I saw, and it pains me deeply to say this, was a boring and disjointed mess. Perhaps it had something to do with NBC’s editing–or not.

I thought the set piece at the beginning—the one depicting old, pastoral England—was a nice way to open the show, but it quickly became obvious that nothing, other than people playing cricket on the “village green” and miners marching off to work, was happening. I enjoyed the children choir’s rendition of “Jerusalem,” but why Boyle intercut the song with images of rugby playing, I have no idea.

Following the somewhat lackluster opening, we all had to wait ten or fifteen minutes as “workers” from the Industrial Revolution swept away the bucolic greenery to make way for smoke stacks and steel foundries. The stacks rising from the stadium floor made for a cool spectacle, as did the forging of the Olympic Rings, but—again—nothing else seemed to happen. The piece was made all the more bizarre by the modern dance moves the “industrialists” kept doing at random intervals.

From this point on, the whole thing just degenerated into a cluttered mess. From an international standpoint, when one things of Britain, they most likely envision double-decker busses, red telephone boxes, kings, queens, knights, etc.—none of which featured in Friday night’s snooze fest. Instead, we saw tributes to things completely unknown to people outside the U.K. A dance number celebrating the understaffed and underfunded National Health Service—really? The Great Ormond Street Hospital is a wonderful institution, but putting it in the Opening Ceremony would be like an American city doing a number around St. Jude’s (no one outside the States would get it).

I realize the Opening Ceremony is a chance for the host nation to show off its culture and history, but couldn’t Boyle have selected themes that resonate with a global audience? What about capitalizing on Britain’s phenomenal pop-culture history? The nation that gave us The Beatles, The Kinks, The Rolling Stones, The Who, Pink Floyd, Led Zeppelin, and countless other classic acts, couldn’t have come up with something better than this? It got to the point where I had no idea what Boyle was trying to accomplish, or what message he was hoping to convey. The most perplexing number of the night was the “love story for a digital age,” featuring a teenage girl searching for her lost cellphone. It seemed totally odd going from pastoral England, to the Industrial Revolution, to a story about the digital age set in what looked like a 1960s acid flashback. Adding insult to injury, the mess of a number finished with a rap performance (no offense: I can’t stand rap).

Thankfully, the audio-and-visual torment eventually gave way to the Parade of Nations. What I didn’t understand were the outfits worn by the American and British teams. The Yanks looked like French flight attendants, while the Brits looked like crewmembers from the Love Boat.

From there, we had the lighting of the torch—not by any athlete who earned the honor, mind you, but seven teens who hope to be future Olympians. Again, a major fail. Either Roger Bannister—the English runner who broke the four-minute mile in 1954—or David Beckham should have been assigned the task. This gave way to the evening’s musical entertainment. Prior to Sir Paul McCartney taking the stage, we were treated to the Arctic Monkeys covering The Beatles “Come Together.” It was a good rendition, even if the choice of band—considering the numerous British musical acts out there—was somewhat questionable. Sir Paul performed “Hey Jude” and got the stadium singing. I’m a fan of The Beatles and McCartney’s solo work—but is the guy dying his hair?

In the end, the highlight for me was the fireworks extravaganza set to Pink Floyd’s “Eclipse” from Dark Side of the Moon. I really wanted to enjoy the ceremony, but it seemed to me the whole thing was a missed opportunity. I found out later the event featured a tribute to those who died in the July 7, 2005, terrorist attacks on London. NBC, however, decided to edit out that number in favor of Ryan Seacrest interviewing Michael Phelps. Another major fail, this time on NBC’s part.

Let’s just hope the closing ceremony is better.

Review: ‘The Grievers’ by Marc Schuster

In books on July 20, 2012 at 7:25 am

To simply call The Grievers by Marc Schuster a comic novel is to dismiss the book’s emotional depth. At its core, the story is a touching—and somewhat dark—meditation on friendship, death, and missed opportunities. Charley Schwartz is a mess. The promise of his younger years has fizzled out, leaving him with an incomplete dissertation moldering in his desk drawer and a humiliating job prancing around in a large dollar sign costume (complete with green tights and large Mickey Mouse-type gloves) outside the local bank. His off-kilter existence is thrown more askew when he learns an old childhood friend, Billy Chin, has leapt to his death off Philadelphia’s Henry Avenue Bridge.

For Charley, Billy’s suicide is a brutal wake-up call, forcing him to take stock of who he is and what his life has become. Why has he failed to live up to his potential? Was he really as good a friend to Billy as he should have been? And is it ever too late to steer your life back on its intended course? In Billy’s death, Charley sees an opportunity to not only prove his worth as a human being by organizing a memorial service for his friend, but also a way to acknowledge what he has long tried to ignore: He’s an adult.

In an interview with Life Magazine shortly before his death, Ian Fleming said he had gone through life with one foot “never wanting to leave the cradle.” It made, he said, “a rather painful split of one’s life.” Charley has spent his adult life clinging desperately to the carefree attitudes of childhood. His failure to take anything seriously is a constant annoyance to his best friend, Neil, a Marx Brothers fanatic who wants Charley to join him in the grown-up world of responsibilities. The yearning to turn back the clock is a theme that runs through The Grievers and is something almost everyone can relate to. In Charley’s case, it’s a defense mechanism to ward off the sense of failure that attaches itself to nearly everything he does. Fortunately, he has a pretty amazing wife who still believes in his inner potential.

Needless to say, Charley’s attempt to organize Billy’s memorial service turns into a fiasco when his alma mater—a slowly decaying boy’s academy—seizes the event as a fund-raising opportunity. For Charley, it’s an opportunity to abandon his sense of worthlessness and finally do something right.

In writing The Grievers, Schuster has done everything right, giving us a story that–at its conclusion–delivers a hefty, emotional punch.

‘Midnight Men’: My novel in perpetual progress

In Writing on July 19, 2012 at 8:40 am

Going through some old files the other night, I stumbled across the opening of a thriller set in WW2 London I began about two years ago but never finished. I still have a good idea where the story could go. Who knows? I may give it another try in the not-too-distant future. This is rough, unedited copy. You’ll see the word “BLANK” appears in some sentences . . . this is because I wasn’t sure what to place there!

The working title for this was “Midnight Men.” Like I said, I may give it another go. Without further ado . . .

“If you ask me,” Detective Inspector Michael Bishop said, “it’ll take a bloody miracle to win this war.”

“Don’t let Winston hear you say that,” joked his detective-sergeant, a stout, bullish man named William Terrence—“Terry” to everyone.

The two men sat in a Coventry Street pub, enjoying their regularly scheduled drink. The unpredictable nature of police work meant both men found comfort in their set routines.

“How many years have you been on the job?” Bishop asked over the rim of his glass.

“More than I care to remember.”

“I’ve been doing it for twenty two years—twelve of them staring at bodies,” Bishop said. “We both deal in cold facts and assemble them one by one into concrete certainties. That is what policemen do, Terence, and the facts as they relate to our, England’s, current predicament speak for themselves. I’m not a pessimist; I simply resign myself to life’s harsh realities.”

“Lower your voice,” Terence said with good humor. “Talk like that might get you shot.”

“So be it,” Bishop roared. “I admire decisive action.”

Bishop downed the contents of his glass, ordered two more at the bar and cursed silently when the air raid sirens began. He imagined the bombers taking off from captured airfields in BLANK and BLANK, flying over the English Channel, crossing the southern coast at Dover and following the moonlit ribbon of the Thames to London. In the early days of summer, before the first bombs fell, his wife and two young sons had left the city for a distant corner of Lincolnshire where his in-laws owned a small country pub. He traveled to see them when he could and often heard British bombers taking off from the nearby RAF airfield, roaring over the village in the twilight of evening, young men winging their way toward an unknown fate. Some nights, he lay awake in bed and listened for their return, his vigil surrendering to a silent dawn. Other times, he heard the approach of sputtering engines and the painful grinding of flak-damaged machinery cough its way across the sky.

“This is a damn foolish business on both sides,” he said, returning to the table and placing a full glass in front of Terence. The younger man reached for the coat draped over the back of his chair and appeared ready to leave.

“Don’t be in such a rush,” Bishop said, sitting down. “They’ll no doubt hit the East End again.”

The Luftwaffe had bombed St. Katherine’s Dock three nights running. By day, thick plumes of black smoke clawed the leaden sky; at night, the burning warehouses, supply depots and docks served as a homing beacon for the bombers above.

Bishop took another sip of drink and looked about the room. The barman carried on business as usual, wiping the beer taps with a wet rag. At the nondescript wooden tables, and in the old leather booths, most customers appeared content to stick it out with their wine and beer.

“To fine English stock,” Bishop raised his glass.

Terence shot a glance over Bishop’s shoulder. The detective turned in his chair and saw a couple, their drinks abandoned, scurry from the pub to no doubt find shelter.

“That saddens me, Terence,” Bishop said, his mood somber again. “Have you spent a night in the Underground? The air from the tunnels, a thousand bodies sweating in close proximity—it smells God-awful down there. That bloody Hitler has us living like troglodytes.”

Terence stared into his beer and made a mental note to look up troglodyte.

“At the Dorchester,” he said, “they’ve built a gas-proof shelter in the basement for government ministers and important guests. It has waiters and a fully stocked bar.”

“Must be nice,” said Bishop. “London burns, and our betters are no doubt sipping expensive brandy.”

Terence looked quizzically at the two pints on the table between them

“This is different,” Bishop said and reached for his glass. “Beer’s the drink of the working class.”

Terence shrugged and raised his glass. Having transferred to Scotland Yard’s CID from T Division (Hammersmith) six months prior, he was growing accustomed to Bishop’s self-serving logic.

“Whatever gets you through the night.”

Outside The Fox, the street was nearly deserted, save the odd shadowy figure milling about. Many Londoners rushed after work to catch the homebound bus or train. Meals were devoured quickly and a few meager possessions packed for a night in the shelter. Lighting a cigarette, Bishop thought not for the first time that life had become equal parts comforting routine and apocalyptic horror—but even the nightly raids and the destruction they wrought were slowly becoming part of the norm. Above the black outlines of buildings, sweeping columns of blue and white light canvassed the sky. The sirens continued to howl.

“The Devil always gives warning,” Bishop said.

“I suppose,” Terence replied, “the bloody Germans say the same thing about us.”

“Indeed,” Bishop sighed.

Celebrating on the Dark Side

In Uncategorized on July 17, 2012 at 9:09 am

Forgive the lousy image. I’m still in the early stages of learning photography. In hindsight, I should have moved the wine glass over so the white wall behind the wet bar could serve as backdrop. My focusing also needs work. Alas . . . What you see are the typeset pages to Human Game, which Penguin sent me last Tuesday. I had until this past Monday to read them and make any final edits. Thankfully, I met the deadline and emailed the corrected PDF off to my editor yesterday morning. To celebrate, I cracked open my bottle of Pink Floyd Dark Side of the Moon Cab. I’m no wine snob, but I know what I like!

Writing again

In publishing, Writing on July 11, 2012 at 9:31 am

As I stated in my previous post, I’ve started work on my next book project. It’s a non-fiction story set in rural England, 1945. Part mystery, part history, and part thriller, it may also have elements of a ghost story—although I’m not entirely sure about that just yet. The book is going to be something of a mish-mash. The trick, of course, is not to make it read like one.

A good amount of the research has been done. The source material for the story in question is stored at the British National Archives. Seeing as a trip to the UK won’t be possible until Christmas—when I head over there for two weeks to visit family—I ordered a bulk of documents about two months ago. They arrived on my doorstep a couple of weeks ago. I’m currently working my way through them, trying to put them in some chronological order.

As a rule, I prefer using primary—as opposed to secondary—sources. For this project, however, I’ll be relying heavily on some previously published material, including the memoirs of one of the story participants. Memoirs are a great resource for an author, as they’re the next best thing to actually being able to sit down and interview the person in question. In this case, the person died many years ago. Fortunately, said individual was a great writer and left two volumes of excellent autobiography.

Although I still have a bit of research left to do, I’ve started the writing. With past projects, I’d set a daily quota for myself—usually between 500 and 1,000 words. I’m taking a different approach with this book and have adopted a hit-and-run approach. I don’t force myself to write something every day. I simply put something down on paper when it comes to me. If a sentence—or fragment—hits me, I write it down. If something doesn’t come to me for several days, I stay clear of the keyboard. It’s a nice change of pace and a refreshing way to work. I don’t feel the overwhelming desire to produce.

How long I stick with this method remains to be seen. The contract for the book is still being ironed out, and I’m not yet sure of the deadline. Once an actual end-date is decided upon, I may have to put myself on a more regimented schedule.

I doubt I’ll be discussing the writing process too much on this blog. Generally, I don’t like revealing a lot about a work in progress out of fear I’ll jinx something or throw my momentum off track. Once I’m done with a book, I’m more than happy to discuss how it was put together.

In other news, Penguin emailed me the typeset pages for Human Game! They look great. My editor wants me to go through them and get any final corrections back to her by Monday. That doesn’t leave a lot of time! This will be, I believe, the fifth time I’ve read the manuscript. I think I know the whole thing word-for-word.

Well, I guess I better get reading. Until next time . . .

Getting back into the swing of it

In Writing on July 10, 2012 at 9:28 am

My blogging recently has been sporadic at best—but it’s not due to any lackadaisical attitude on my part! Over the past few weeks, I’ve been busy completing the film treatment for Human Game. I finished it about two weeks ago and shipped it off to my film agent, who then began pitching it to studios and producers. While I obviously hope someone takes the bait, I know not to get carried away. The odds of securing a film deal are astronomical at best.

The biggest challenge in putting the treatment together was distilling a nearly 400-page manuscript down to a 20-page narrative. The task would have been even more difficult if not for my wonderful wife. She once read scripts and treatments at Miramax. When I showed her my initial draft, she took her red pen to the pages. After a lot of cutting and rearranging, the end product is something I’m most pleased with. Thanks, honey.

The pages for Human Game are currently being typeset. Penguin should have the galleys ready in about three weeks. This is always an exciting, but nerve-wracking, part of the publication process. You hope all typos and errors have been purged from the manuscript.

It remains to be seen what, if anything, the publisher does in terms of publicity. In the past, the bulk of the marketing work has fallen on my shoulders, which probably explains why I’ve never had a bestseller. It’s always struck me as odd that major league authors—think Stephen King, John Grisham, James Patterson, and the like—benefit from major marketing campaigns, while low- and mid-level authors—the very ones who need publicity—don’t receive much of it at all. Such is the business.

I’ve used the time away from the blog to try and catch up on some of my reading. I finished Marc Schuster’s wonderful book The Grievers. I highly recommend it. It’s simultaneously dark, funny, and moving. The guy has a phenomenal ear for dialogue, which is a great talent unto itself. That said, he’s simply a fantastic writer—period. Not a single word is wasted.

I’ve also started on my next book project, the contract for which is being ironed out. I don’t like to give too much away about works in progress out of fear I might jinx something. I will say, however, it’s another non-fiction book. The setting is 1945 England.

So, that’s it for now. I plan to start making regular posts again . . . I just have to get back into the swing of it!

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