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Posts Tagged ‘Michael Malloy’

Experiences beyond the page

In books, Writing on April 24, 2012 at 7:01 am

A small relic associated with one of New York's most bizarre crimes.

An article filed from the Los Angeles Times Festival of Books on Monday featured a great story from Scottish crime novelist Philip Kerr, who had a strange run-in with a Russian cop while researching a novel in the former Soviet Union. Without giving too much away, it involves bottle of vodka, a naked man, a frightened translator, and a frozen lake. Working on my own books over the years, I’ve had several interesting experiences. The most memorable ones are associated with the writing of my first published effort, On the House. The book details the murder of Michael Malloy in Prohibition-era New York by a gang of bumbling killers nicknamed the “Murder Trust.” Malloy survived multiple attempts on his life—each one more outrageous than the last—without realizing anyone was trying to kill him.

I spent quite a bit of time in New York researching the book. Many hours were spent in the basement of the Bronx courthouse, reviewing trial transcripts and other official papers. One afternoon, while I was going through a stack of folders, a rather large gentleman with his own pile of documents took a seat opposite me at the same table. He wore an ill-fitting suit that looked two sizes too small for him. His shirt, buttoned no more than midway up his chest, revealed a large gold pendant on a clunky chain. Nearly every finger boasted a thick glittery ring. He immediately struck me as a character out of “Goodfellas,” a sort of walking cliché. When I looked up at him, he smiled by way of greeting. I did likewise and returned to my research materials.

It's out of print now. Bummer.

“What are you working on?” he asked in a New York accent that seemed totally appropriate to the way he was dressed.

When I filled him in, he told me he was familiar with the Malloy story. Most people who grew up in the Bronx, he said, knew it. To be polite, I asked him what he was doing at the courthouse—and, with great enthusiasm, he told me.

“I’m researching a case, too,” he said. “Mine!”

It turned out that some years back this gentleman was accused of breaking into his ex-girlfriend’s apartment and stealing a number of valuable jewels (I immediately stole another glance at his fingers). He was eventually picked up by the cops, charged, and convicted. He claimed to be innocent of said crime and hoped to find something in the case files with which he could overturn his conviction.

“Sounds to me like you need a good alibi,” I said, entertained by the story.

“Oh, I got a great alibi,” he said. At the same time some “loser was tossing my ex’s panty drawer” (his words), he was on the other side of town having sex with the victim’s sister. He did not phrase this in a g-rated manner—and, to this day, I have no idea what it means to have “porked the dog legs” off someone. But this guy had apparently done it and was proud of the achievement. The sister had refused to testify on his behalf because she didn’t want her sibling to know of the tryst. Having shared this rather sordid episode with me, the gentleman fished a business card from his pocket and passed it my way. His name was Pete, and he worked for what appeared to be a loan agency.

“You’re a loan officer?” I asked.

He shrugged. “Let’s just say I work in collections.”

I immediately got the hint and stopped asking questions. Pete, however, kept up his friendly banter and wanted to know how long I’d be in town. When I told him a couple of days, he volunteered to be a tour guide of sorts and promised to show me a New York most people don’t get to see. This, he said, would entail visits to a high-end brothel, a member-only club, and suppliers of whatever commodity I desired. When I told him my girlfriend would most likely disapprove, he said, “I ain’t gonna tell her.” This would be the point in a movie where an angel appears on one shoulder and a devil on the other, each urging me to follow their respective moral path. In the event, my sense of decency got the better of me. I thanked Pete for his kind offer but ultimately declined.

When I returned home to the Bay Area, I finished writing the book and shipped it off to my editor at Penguin. It hit stores in October 2005. One of the would-be killers in the story was a Bronx taxi driver named Harry Green who was paid a small fee to run a drunken Malloy over one frosty evening. For various reasons, Green failed in his objective. Subsequently, he was the only member of the Murder Trust not to meet their end in Sing-Sing’s electric chair. Shortly after the book’s publication, I received a very nice email from an elderly woman in Berkeley who had read the book and enjoyed it. Would I care, she asked, to meet in person? This woman was non-other than Harry Green’s widow. I was quite flabbergasted by the whole thing and naturally agreed to see her. Mrs. Green (I don’t want to reveal her first name for privacy’s sake) invited my girlfriend (future wife) and I to dinner at her daughter’s house.

Having spent more than a year writing a book about a gang who plots a fiendish murder, I wondered jokingly if I wasn’t being lured into a trap. Would the Green family tarnish my food with anti-freeze (as the Murder Trust had done to poor Malloy)? Or, would an aggrieved member of the clan try to run me over as I approached the house? In the event, it was a lovely evening. The dinner was a backyard barbecue. A long table had been set; the centerpiece was a diorama featuring a toy taxi running over an action figure. The Greens were wonderful people. Harry’s widow, then in her eighties, was a real firecracker with a great sense of humor. She met Harry after he had served ten years for his involvement in the Malloy case. She described him as a good man who had made a very bad choice. Upon his release from prison, he spent the remainder of his life on the right side of the law, working in various professions. I wish now I could remember all the details, but my notes from the evening are packed away somewhere!

At the end of the evening, as Katie and I got up to leave, the Greens gave me the toy taxi cab from the table’s centerpiece. It still sits on my writing desk today.

On the House unfortunately went out of print several years ago, but I hope that someday it makes a return. If it does, I’ll add an “Afterword” and detail the man Harry Green became.

First impressions: My opening paragraphs . . .

In Writing on April 2, 2012 at 8:41 am

It’s always fun, when in a bookstore, to pick up a random book and read the opening paragraph. Over the years, this exercise has resulted in the purchase of books I might have otherwise missed or ignored. I discovered Fred Vargas’s The Chalk-Circle Man this way, which soon led me to her other wonderful books. As a teen, the opening lines of Raymond Chandler’s The Long Goodbye hooked me instantly. I’ve been a fan of Philip Marlowe’s adventures ever since.

It goes without saying that a great opening sets the tone of a book. Ian Fleming and John Steinbeck are responsible for my two favorite opening paragraphs. Fleming’s introduction to Casino Royale, the first James Bond novel, is brilliant for its sense of atmosphere:

The scent and smoke and sweat of a casino are nauseating at three in the morning. Then the soul-erosion produced by high gambling–a compost of greed and fear and nervous tension–becomes unbearable and the senses awake and revolt from it.

The opening to Steinbeck’s Cannery Row is wonderful for its vivid evocation of setting:

Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream. Cannery Row is the gathered and scattered, tin and iron and rust and splintered wood, chipped pavement and weedy lots and junk heaps, sardine canneries of corrugated iron, honky tonks, restaurants and whore houses, and little crowded groceries, and laboratories and flophouses. Its inhabitants are, as the man once said, ‘whores, pimps, gamblers and sons of bitches,’ by which he meant Everybody. Had the man looked through another peephole he might have said, ‘Saints and angels and martyrs and holy men,’ and he would have meant the same thing.

While I’m certainly not attempting to compare myself with the likes of Fleming and Steinbeck (!), I thought I’d share the opening paragraphs to my previous books. I hope you enjoy . . .

On the House (Berkley, October 2005):

This story is true. Names have not been changed to protect the innocent, for nearly all the participants were perpetrators of nefarious schemes and bodily harm. They were low-rent thugs and booze-addled crooks surprisingly incompetent in their criminal undertakings. This is not a tale of smooth operators in silk suits. It is, instead, a story of bungling ineptitude, of a crime so convoluted, authorities were “admittedly skeptical” of its veracity when it first came to light. Once the facts were established, Bronx District Attorney Samuel J. Foley declared the scheme to be “the most grotesque chain of events in New York criminal history.”

In the Dark (Berkley, November 2006); Published in the UK as The Blackout Murders (JR Books, March 2008):

A dark, cramped space of stagnant air, the bomb shelter’s interior smelled of cold mortar and stale sweat. A stone seat ran the length of one inner wall, while, on the floor, an electric lantern cast a pallid circle of light across the morbid discovery made earlier that morning. The brick-built shelter was one of several on Montague Place, Marylebone—near Regent’s Park in Central London—and one of countless similar structures that lined the streets of the capital. It was just shy of nine o’clock, and a harsh winter’s sun backlit the city’s shattered skyline. Daybreak came hard to London, a metropolis whose landscape had been forever altered by incendiary and high-explosive—but the air-raid sirens had remained silent the night before.

War of Words (Union Square Press, May 2009):

A profession not without risk, the job of newspaper editor attracted men of stern stuff in the testosterone-rich days of old San Francisco. Nearly fatal beatings and bloodletting by pistol and bowie knife were regularly occurring phenomena outside (and sometimes inside) the sanctity of the newsroom. Gunpowder and steel proved highly effective in expressing one’s displeasure with an article–more so than a letter to the editor. An angry reader gunned down a reporter in the autumn of 1852 outside Sacramento after the scribe penned an editorial criticizing the governor. One editor got the picture and posted the following notice on his office door: “Subscriptions received from 9 to 4; challenges from 11 to 12 only.”

Dark City (Ian Allan, London, October 2010):

Christmas shoppers crowded narrow Birchin Lane in the early afternoon hours of Friday, 8 November 1944, their collars turned up against the heavy fog that hung over the city. They paid scant attention to the Vauxhall that turned into the street shortly after two-thirty and came to a stop outside Frank Wordley’s jewelry store at number 23. Three young men, one of them carrying an axe, clambered out of the vehicle and approached the store’s front window.

The Killing Skies (Spellmount/The History Press, London, March 2006):

Memories still lingered. A generation of British men wiped out in the mud-swamped, rat-infested trenches of the Western Front. A war not yet far removed by the passing of time. Now, on a Sunday, a mere two decades after the Great War’s guns fell silent, the BBC carried the subdued tones of Prime Minister Neville Chamberlain, broadcasting from the Cabinet Room at 10 Downing Street . . . At 11 a.m. on 3 September 1939, as barrage balloons ascended above London, Big Ben tolled the hour of war.

The day Hollywood called

In books on February 16, 2012 at 8:14 am

Sucker!

Valentine’s Day this year marked an anniversary for me, as it was on Feb. 14, 2011, Hollywood came knocking. Actually, it sent an e-mail and lured me in with a promise of great things. I’m not normally a naïve person, but I fell for the spiel and flattery. Then, just as quickly as it began, the all-too-brief acquaintance was over.


The person who contacted me was an Emmy Award-winning producer with major credits to his name. He wanted to chat about my first book, On the House, which details the bizarre murder of speakeasy habitué Michael Malloy in Prohibition-era New York. A gang of thugs, subsequently named “the Murder Trust” by the tabloids of the day, decided to take an insurance policy out on Malloy and do him in. Unfortunately for the would-be killers, Malloy proved to be a drunken marvel of indestructibility and survived multiple attempts on his life—each one more outrageous than the last—without realizing anyone was trying to kill him. The gang, consisting of a syphilitic speakeasy owner, crooked undertaker, trigger-happy gangster, desperate greengrocer, and alcoholic bartender, grew increasingly desperate with each failed attempt.

They fed him shots of rat poison and anti-freeze, served him sardine sandwiches laced with carpet tacks and metal shavings, got him drunk and buried him naked in the snow, all to no avail. When running Malloy over with a car failed to get the job done, the gang decided to kill someone who looked like Malloy but might prove to be an easier target. To cut a long story short, Malloy was eventually murdered. The members of the Murder Trust paid for their misdeeds in the electric chair. In the wake of his death, the downtrodden Malloy became the toast of New York society. Much like Seabiscuit, the guy became a symbol of Depression-era resilience.

The book—published in 2005 by Penguin’s Berkley imprint—is now out of print, but I continue to have a soft spot for it. Anyway, the producer wanted to chat about On the House and the other books I’ve written. Why, he wanted to know once we connected on the phone, was I spending my days in an office when I was obviously a “great, fucking writer”? He told me to send copies of all my books to him and his partner, an Academy Award-winning screenwriter. Initially, I did a pretty good job keeping my hopes grounded—but the guy kept working me up. At one point, he wrote in an e-mail, “You won’t be sorry!”

Guess what?

The guy vanished into the ether and cut off all communication just as suddenly as it began. A movie he produced hit theaters last year and his name appears in the trade publications attached to various projects with big-name stars, but we’re incommunicado. What really ticks me off about the whole thing is the fact I sent the dude free copies of all my books (including the last two copies I had of one book in particular). With all his success, couldn’t he have just purchased copies and slipped a few bucks in royalties into my pocket?

C’mon, show a writer some love–and respect!

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