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Posts Tagged ‘writer’

Random thoughts on Hemingway

In writers on September 11, 2012 at 9:46 am

Whenever time allows, I’m sitting down with another Hemingway biography. This one, written by Michael Reynolds, spans Hemingway’s life from the 1930s to that fateful day in 1961 in Ketchum, Idaho. With my sincere apologies to those who admire his work, I’ve never been a fan of Hemingway’s novels. While his style is celebrated for its economy of language, I find it somewhat flat. Although I find his novels tedious (again, sorry), I think his short stories are fantastic.

Although the Reynolds book is proving to be a great read, it’s also a difficult one. The reason has nothing to do with the writing, which is excellent, but the fact one has to spend 600 pages in Hemingway’s company. The man was an insecure, petulant, boorish braggart who treated friends and loved ones, including his four wives, terribly. He presented to the world an image of ultra-masculinity—hunting, fishing, going to wars, fighting—but in private was as fragile as a wilting flower. He seems to have spent most of his time raging against critics who dared question his work, friends who aggrieved him even slightly, his publisher for not doing enough to promote his books, and other authors who challenged his dominance in the literary world.

Looking back, there is something vulgar in Hemingway’s need to kill every sort of animal. This, of course, may no doubt be a view that’s distilled through today’s conservation efforts. On an African safari in 1934, he pouted like a child whenever another member of his party killed a larger animal or scored a better shot. Even more dispicable was his penchant for exaggerating his war service. Injured as a Red Cross worker in Italy during the First World War, he later told people he led elite Italian troops in battle. Following his stint as a correspondent in World War II, he felt the need to lie about his adventures in France, claiming at one point to have killed 126 Germans. He burned through three marriages before meeting Mary Welsh, who stuck with him until the end. She gave up her career as a journalist to be with him, as “Papa” did not like women who did not make his priorities their own. As Mary wrote in her journal one evening:

He has been truculent, brutal, abusive, and extremely childish . . . Last night with six at table, I declined to bet with one of our guests on a pigeon shooting match . . . So Ernest denounced me several times as a “cobarde” (coward) . . . At table his favorite and frequent means of protesting any word, glance, gesture or food he doesn’t like is to put his full, freshly served plate on the floor. The other day he dumped the entire plate of bread and crackers on top of my plate . . . he has called me, and repeated the names . . . whore, bitch, liar, moron. On several occasions I have called him a shit . . . it looks like the disintegration of a personality to me.

It’s hard to fathom why someone would treat another person this way. Just because the guy was one of the most influential authors of the twentieth century doesn’t excuse him from treating his wife in such an atrocious manner. In the end, regardless of the man’s contribution to American letters, and to quote Harold Robbins, “Hemingway was a jerk.”

Meeting Dr. Gonzo: An encounter with Hunter S. Thompson

In Random thoughts on May 11, 2012 at 8:05 am

I whiled away a couple of hours this week reading "Fear and Loathing in Las Vegas." It brought back memories of the evening I met one of my literary heroes . . .

In May 1997, while living in Los Angeles, I went to Book Soup on the Sunset Strip to see Hunter S. Thompson. He was there signing copies of the Proud Highway: Saga of a Desperate Southern Gentleman, 1955-1967, his first volume of published letters. I had just graduated college with a bachelor’s in journalism. While in school, Thompson’s work was a near-constant companion. It wasn’t so much the writing I admired (though I do love his way with words) but the wild and eccentric personality that leapt off the page.

In person, Thompson did not disappoint. The signing had a conveyor belt quality to it. He didn’t do a reading or give any sort of talk. Fans simply filed past in a long line and were given a quick minute to grab his autograph and ask a question. He refused to scribble in the books themselves, choosing instead to scratch his name on a book plate, which was then placed in the book. He sat at a long table, his ever-present cigarette clamped in a long holder between his teeth. On the table sat a large grapefruit and a bottle of Chivas Regal, which he seemed to be working his way through with great enthusiasm. Johnny Depp, then preparing to play Thompson in the film adaptation of Fear and Loathing in Las Vegas, stood nearby and watched the proceedings in silence.

My signed copy of "Fear and Loathing in Las Vegas."

Just before it was my turn to meet him, someone told Thompson there was a porn convention going on at the Palladium down the street. All the big starlets were in attendance. Thompson stood up and made as if to leave. A Book Soup staff member quickly stepped in and urged Thompson to stay put. I’m sure he would have taken off if given the chance. When it was finally my turn, I shook his hand and told him I’d just graduated with a degree in journalism. Did he have any advice for a young, struggling reporter with aspirations of becoming an author?

“You majored in journalism?” he asked.

“Yes,” I replied.

“What are you,” he asked in a slightly raised voice, “some sort of fucking freak?”

I was thrilled Hunter S. Thompson considered me freakish. When I asked him for advice, he replied without hesitation: “Go into advertising.”

He dully signed several bookplates for me, which I stuck in my copies of The Proud Highway, Fear and Loathing in Las Vegas, and Songs of the Doomed. My friend Dan, quite buzzed from our drinking session at Red Rock, was next. “I’m drunk,” he said, as he took a signed book plate from Thompson.

Smiling, Thompson replied, “It’s a great state to be in.”

Perfectly content, Dan and I scurried from the shop and returned to Red Rock, deeming it most appropriate to cap the evening off with a few more rounds.

Experiences beyond the page

In books, Writing on April 24, 2012 at 7:01 am

A small relic associated with one of New York's most bizarre crimes.

An article filed from the Los Angeles Times Festival of Books on Monday featured a great story from Scottish crime novelist Philip Kerr, who had a strange run-in with a Russian cop while researching a novel in the former Soviet Union. Without giving too much away, it involves bottle of vodka, a naked man, a frightened translator, and a frozen lake. Working on my own books over the years, I’ve had several interesting experiences. The most memorable ones are associated with the writing of my first published effort, On the House. The book details the murder of Michael Malloy in Prohibition-era New York by a gang of bumbling killers nicknamed the “Murder Trust.” Malloy survived multiple attempts on his life—each one more outrageous than the last—without realizing anyone was trying to kill him.

I spent quite a bit of time in New York researching the book. Many hours were spent in the basement of the Bronx courthouse, reviewing trial transcripts and other official papers. One afternoon, while I was going through a stack of folders, a rather large gentleman with his own pile of documents took a seat opposite me at the same table. He wore an ill-fitting suit that looked two sizes too small for him. His shirt, buttoned no more than midway up his chest, revealed a large gold pendant on a clunky chain. Nearly every finger boasted a thick glittery ring. He immediately struck me as a character out of “Goodfellas,” a sort of walking cliché. When I looked up at him, he smiled by way of greeting. I did likewise and returned to my research materials.

It's out of print now. Bummer.

“What are you working on?” he asked in a New York accent that seemed totally appropriate to the way he was dressed.

When I filled him in, he told me he was familiar with the Malloy story. Most people who grew up in the Bronx, he said, knew it. To be polite, I asked him what he was doing at the courthouse—and, with great enthusiasm, he told me.

“I’m researching a case, too,” he said. “Mine!”

It turned out that some years back this gentleman was accused of breaking into his ex-girlfriend’s apartment and stealing a number of valuable jewels (I immediately stole another glance at his fingers). He was eventually picked up by the cops, charged, and convicted. He claimed to be innocent of said crime and hoped to find something in the case files with which he could overturn his conviction.

“Sounds to me like you need a good alibi,” I said, entertained by the story.

“Oh, I got a great alibi,” he said. At the same time some “loser was tossing my ex’s panty drawer” (his words), he was on the other side of town having sex with the victim’s sister. He did not phrase this in a g-rated manner—and, to this day, I have no idea what it means to have “porked the dog legs” off someone. But this guy had apparently done it and was proud of the achievement. The sister had refused to testify on his behalf because she didn’t want her sibling to know of the tryst. Having shared this rather sordid episode with me, the gentleman fished a business card from his pocket and passed it my way. His name was Pete, and he worked for what appeared to be a loan agency.

“You’re a loan officer?” I asked.

He shrugged. “Let’s just say I work in collections.”

I immediately got the hint and stopped asking questions. Pete, however, kept up his friendly banter and wanted to know how long I’d be in town. When I told him a couple of days, he volunteered to be a tour guide of sorts and promised to show me a New York most people don’t get to see. This, he said, would entail visits to a high-end brothel, a member-only club, and suppliers of whatever commodity I desired. When I told him my girlfriend would most likely disapprove, he said, “I ain’t gonna tell her.” This would be the point in a movie where an angel appears on one shoulder and a devil on the other, each urging me to follow their respective moral path. In the event, my sense of decency got the better of me. I thanked Pete for his kind offer but ultimately declined.

When I returned home to the Bay Area, I finished writing the book and shipped it off to my editor at Penguin. It hit stores in October 2005. One of the would-be killers in the story was a Bronx taxi driver named Harry Green who was paid a small fee to run a drunken Malloy over one frosty evening. For various reasons, Green failed in his objective. Subsequently, he was the only member of the Murder Trust not to meet their end in Sing-Sing’s electric chair. Shortly after the book’s publication, I received a very nice email from an elderly woman in Berkeley who had read the book and enjoyed it. Would I care, she asked, to meet in person? This woman was non-other than Harry Green’s widow. I was quite flabbergasted by the whole thing and naturally agreed to see her. Mrs. Green (I don’t want to reveal her first name for privacy’s sake) invited my girlfriend (future wife) and I to dinner at her daughter’s house.

Having spent more than a year writing a book about a gang who plots a fiendish murder, I wondered jokingly if I wasn’t being lured into a trap. Would the Green family tarnish my food with anti-freeze (as the Murder Trust had done to poor Malloy)? Or, would an aggrieved member of the clan try to run me over as I approached the house? In the event, it was a lovely evening. The dinner was a backyard barbecue. A long table had been set; the centerpiece was a diorama featuring a toy taxi running over an action figure. The Greens were wonderful people. Harry’s widow, then in her eighties, was a real firecracker with a great sense of humor. She met Harry after he had served ten years for his involvement in the Malloy case. She described him as a good man who had made a very bad choice. Upon his release from prison, he spent the remainder of his life on the right side of the law, working in various professions. I wish now I could remember all the details, but my notes from the evening are packed away somewhere!

At the end of the evening, as Katie and I got up to leave, the Greens gave me the toy taxi cab from the table’s centerpiece. It still sits on my writing desk today.

On the House unfortunately went out of print several years ago, but I hope that someday it makes a return. If it does, I’ll add an “Afterword” and detail the man Harry Green became.

The agony of book signings

In Uncategorized on March 21, 2012 at 9:26 am

I posted this on my blog last year but felt compelled to share it again. As someone who has endured the agony of a poorly attended book signing (okay, several poorly attended book signings), this video really struck a chord. There’s nothing more humbling than showing up for an event and finding only two of twenty or thirty seats occupied. It’s actually worse than no one showing up. If zero people attend, you can cut your losses and head home. If one or two folks show up, you have to entertain them with a reading. This is embarrassing for everyone involved. The author is embarrassed by the fact only two people made an appearance, and the two attendees are embarrassed that they’re the only ones there.

Mystery writer Parnell Hall vents his frustration in this mighty fine song . . .

The day Hollywood called

In books on February 16, 2012 at 8:14 am

Sucker!

Valentine’s Day this year marked an anniversary for me, as it was on Feb. 14, 2011, Hollywood came knocking. Actually, it sent an e-mail and lured me in with a promise of great things. I’m not normally a naïve person, but I fell for the spiel and flattery. Then, just as quickly as it began, the all-too-brief acquaintance was over.


The person who contacted me was an Emmy Award-winning producer with major credits to his name. He wanted to chat about my first book, On the House, which details the bizarre murder of speakeasy habitué Michael Malloy in Prohibition-era New York. A gang of thugs, subsequently named “the Murder Trust” by the tabloids of the day, decided to take an insurance policy out on Malloy and do him in. Unfortunately for the would-be killers, Malloy proved to be a drunken marvel of indestructibility and survived multiple attempts on his life—each one more outrageous than the last—without realizing anyone was trying to kill him. The gang, consisting of a syphilitic speakeasy owner, crooked undertaker, trigger-happy gangster, desperate greengrocer, and alcoholic bartender, grew increasingly desperate with each failed attempt.

They fed him shots of rat poison and anti-freeze, served him sardine sandwiches laced with carpet tacks and metal shavings, got him drunk and buried him naked in the snow, all to no avail. When running Malloy over with a car failed to get the job done, the gang decided to kill someone who looked like Malloy but might prove to be an easier target. To cut a long story short, Malloy was eventually murdered. The members of the Murder Trust paid for their misdeeds in the electric chair. In the wake of his death, the downtrodden Malloy became the toast of New York society. Much like Seabiscuit, the guy became a symbol of Depression-era resilience.

The book—published in 2005 by Penguin’s Berkley imprint—is now out of print, but I continue to have a soft spot for it. Anyway, the producer wanted to chat about On the House and the other books I’ve written. Why, he wanted to know once we connected on the phone, was I spending my days in an office when I was obviously a “great, fucking writer”? He told me to send copies of all my books to him and his partner, an Academy Award-winning screenwriter. Initially, I did a pretty good job keeping my hopes grounded—but the guy kept working me up. At one point, he wrote in an e-mail, “You won’t be sorry!”

Guess what?

The guy vanished into the ether and cut off all communication just as suddenly as it began. A movie he produced hit theaters last year and his name appears in the trade publications attached to various projects with big-name stars, but we’re incommunicado. What really ticks me off about the whole thing is the fact I sent the dude free copies of all my books (including the last two copies I had of one book in particular). With all his success, couldn’t he have just purchased copies and slipped a few bucks in royalties into my pocket?

C’mon, show a writer some love–and respect!

Publication frustration

In e-books, publishing, Random thoughts, Writing on February 14, 2012 at 9:11 am

Editor’s Note: This post is aimed not at the really good writers out there who publish their own work, but those scribes guilty of self-publishing books with horrible spelling, bad grammar, clichéd similes, and countless other literary crimes.

For my recent trip to England, I downloaded several books onto my Kindle Fire, including Michael Morpurgo’s War Horse and the classic thriller The 39 Steps by John Buchan. Both were great reads. Not great, however, were a couple of self-published books I purchased from the Kindle store. I won’t reveal the titles or authors—but I will say that I won’t be reading anything by these offenders again. No one recommended the books to me; I stumbled across them on my own. I’m not angry I spent good money on said books, as they were only 99 cents each—I’m annoyed with the authors for publishing them in the first place. I love many different authors and a broad range of genres, but I can’t tolerate horrible writing.

There is nothing wrong with an author publishing his or her own work. While it gives a writer greater control over their creation, it also places on them a greater responsibility to produce something of quality. I’m not saying it has to be Shakespeare—but it should, at the very least, display the author’s basic understanding of grammar and an ability to produce decent prose. Obviously, if you publish through a traditional publishing house, you have editors and proofreaders vetting your copy. If you’re putting it out there yourself, the entire burden rests on your shoulders. If you’re self-publishing, you’re in essence an ambassador for a burgeoning field. If you have several lousy meals at a restaurant, you’d probably stop eating there. Likewise, how many bad self-published authors does one read before giving up on self-published books altogether?

According to a statistic I came across online, more than 74,000 self-published books were released in 2009! One can’t be shoddy and expect to stand out in a field that crowded. It’s tough enough trying to make it with a major publishing house behind you. There are great self-published authors out there (check out my friend Chris Randolph at Oktopods) who fret over every word and sentence. This, of course, is how it should be. Take pride in what you write. At least prove to the rest of us you know the difference between “there” and “their,” or when to use “it’s” versus “its.”

And never, when describing a murder, compare a blade cutting through flesh to a “hot knife slicing through butter.”

I’m not a big fan of “American Idol” (I blame Ryan Seacrest for unleashing the Kardashian plague), but I sometimes take grim pleasure in watching the audition episodes. I always feel sorry for the poor individuals with no vocal talent whatsoever who truly believe they can sing. It’s both comedic and horrifying to watch.

Bad singing is funny; bad writing isn’t—but why not? Because expressing ideas on paper in a clear, concise manner is a fundamental skill we should all possess. Not everyone is going to write with Churchillian eloquence, but everyone should have a basic understanding of how to construct a sentence.

That’s all I want to say.

The James Patterson Syndrome

In author, books, publishing, writers, Writing on January 28, 2012 at 8:02 am

Watching TV last night, I saw a commercial for the latest book churned out by the James Patterson factory. My general rule is to chat only about authors I like and not badmouth those I don’t—but Patterson drives me crazy (my apologies to the impressive number of Patterson fans out there). I tried reading Kiss the Girls several years ago when the Morgan Freeman movie hit theaters but just couldn’t get through it. The writing was pedestrian and the one-page chapters distracting. That aside, it’s not his writing that bothers me . . . it’s his approach to writing.

Those of us who write do so because we love the act itself. It’s wonderful to see your thoughts take shape on a page, and it’s an amazing feeling to finish a story and hold in your hands a completed manuscript. While I have yet to score a bestseller and certainly can’t afford to write books fulltime, I dream of the day—if it ever arrives—when I can devote myself fully to the profession. Of course, I want to make enough money doing it to sustain myself and my family, but my passion for writing is the primary motivator.

So, what does this have to do with James Patterson?

I don’t consider him a true writer. He’s more of an idea factory who leaves the writing to others. You’ll notice on most of his recent efforts, it’s his name and that of another author’s on the cover. He’s certainly not the only guy doing this these days. Tom Clancy and Clive Cussler are two others who come to mind—but Patterson seems to have taken it to a whole other level. In 2009, the Hatchette Book Group announced it had signed a deal that would see Patterson bang out 17 books through 2012 . . . that’s 17 books in three years. According to his website, Patterson already has four books due out this year: one in March, two in May, and one in July (he already released one earlier this month). Last year, he put out nine. Some may consider Stephen King a factory (personally, I’m a fan), but at least the man writes his own books.

I can only assume at this point in his career, Patterson doesn’t care about any sort of artistic integrity or quality control. He merely wants a paycheck. My feeling is that if you want to write books, then write books—don’t contract someone else out to do it. The publisher is also to blame here, as it obviously doesn’t care what’s slapped between two covers. You can’t churn out nine books in a year from one author and expect to deliver a quality product.

Ultimately, it’s the fans who are cheated.

My rant is over. I don’t know—maybe I’m just being overly critical.

Writers and their creative spaces

In author, creative spaces, publishing, Uncategorized, writers, Writing, writing rooms on August 11, 2010 at 12:08 am

Every writer wants a dedicated space where they can pursue “the Craft.” My wife and I use one of the bedrooms in our house as an office. I have my desk against one wall; she has hers against the wall opposite. Naturally, I don’t mind sharing a creative space with my wonderful better half, but I do dream of the day—if it ever arrives—when I can have a writing room of my own.

I envision it has having floor-to-ceiling bookshelves made of dark wood and stacked to capacity with an impressive collection of history, biographies and thrillers. Several shelves would be reserved for research books and other such materials. In one corner, I’d have a worn-in recliner where I could sit, read my page proofs and edit manuscripts. Maybe I’d have a couple of framed book covers on the wall. Would it be cliché to have a bottle of scotch nearby?

For a look at the writing rooms of more established authors, check out this great series that ran a while back in the (London) Guardian.

My wife, by the way, would kill for her own Yoga studio and meditation room . . .

Writing about writing . . .

In author, publishing, Writing on August 9, 2010 at 5:43 am

Winston Churchill wrote 44 books in his lifetime—two or three of them before the age of 25. Although no slouch when it came to the English language, the guy was obviously a glutton for punishment. When accepting the Sunday Times Literary Award in 1949, he explained the process of writing a book: “To begin with it is a toy, then an amusement, then it becomes a mistress and then it becomes a master and then it becomes a tyrant and, in the last stage, just as you are about to be reconciled to your servitude, you kill the monster and fling him to the public.”

I’ve just started book number six—and, at the same time, am correcting page proofs for book number five. I also work a full-time job and am in the process of moving. At least I don’t have Nazi Germany to deal with. So, what’s the point of all this? I’ve decided to write a blog and record the progress of my latest manuscript. Here are the particulars:

Publisher: Penguin’s Berkley Caliber imprint, which specializes in military history.
Format: Hardcover.
Genre: Narrative non-fiction (an historical thriller).
Publisher’s desired word count: Approximately 90,000.
Publisher’s deadline: December 1, 2011.
Author’s self-imposed deadline: Hoping to have a first draft done by the end of March.

Many would-be writers dream of achieving Stephen King-type success, enjoying massive advances and power lunches with New York’s literati. I sure do! Unfortunately, that’s the exception and not the rule. Part of my intent here is to provide a more realistic picture of what it means to be an author. Writing the book is the easy part . . . getting people to read it is the challenge! I hope you’ll find my missives here entertaining and, perhaps, informative!

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